Ireland's political and cultural magazine
All of life is on Abbey Street, the street where I work. Stepping out of the school, humming a tune to myself, in spite of the rain, heart beating with a secret joy, I imagine my self as a smooth stone, skimming over the the grey current of the day, towards the green granite horizon […]
Emma Gilleece reviews ‘SOS Brutalism: a Global Survey’; published by Park Books, 2017 (RRP €68) ‘SOS Brutalism; A Global Survey’ is the first-ever international survey of Brutalist architecture from the 1950s to the 1970s, a collaboration by the Deutsches Architekturmuseum DAM and the Wüstenrot Foundation. It is an understatement to say that this book is a […]
Robocobra Quartet have been blazing a trail over the past few years. For artists, comparisons to admired figures can trepidate more than they motivate. Once a revered name is uttered and invoked in connection with an upcoming band, it becomes ineradicable from press releases, rehashed by gig promoters over social media, and used as an easy […]
In Ireland, North and South. In the last 50 years no pub or shop has changed its language from English to Irish. In recent years, in the last pockets of the Gaeltacht, the young people have been switching to English. Clearly, the time has come for the Gaelic League, Conradh na Gaeilge, to take its last, […]
Hannah Arendt’s famous phrase ‘the right to have rights’ was coined in her 1958 book ‘The Human Condition’. The condition of being stateless, of being a displaced person, which began its modern history in Europe with World War I, has been experienced since by untold millions who have had to listen to the claim that ‘human […]
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U2 released ‘Songs of Experience’ before Christmas as a companion piece to 2014’s Songs of Innocence. Thematically, ‘Songs of Innocence’ was inspired by the band’s memories of their youth in Dublin in the 1970s with Bono describing it as “the most personal album we’ve written”. ‘Songs of Innocence’ touched upon these memories as perceived four […]
For over a decade now, Dublin-based five-piece The Spook of the Thirteenth Lock have been fusing the folklore and musical traditions of their home city with sounds and processes from further afield, with elements of drone and post-rock sitting alongside the foundations of folk and trad across their previous pair of full-length records. In addressing […]