Ireland's political and cultural magazine
In 2018, the New York Times named ‘An Octoroon’ by the American playwright Brandon Jacobs-Jenkins the second-best play since ‘Angels in America’ (putting first for some reason the excruciating ‘Topdog/Underdog’) – but despite this, the play is scintillating and worth seeing. It is complicated to summarise, but essentially, Jacobs-Jenkins reworks a Nineteenth-Century play called […]
Rory O’Sullivan watched Bridgerton Season 2 yet wonders why anyone would bother. A period-piece represents the past and by representing dominates it. In general, the past survives only mythologically, as a collection of loose figures and attitudes in the present. In a period-piece, the prevailing attitude imbues these figures with itself and alters the past […]
In Spring, when I was born, Ireland was full of daffodils: in the city in window-boxes and the front-gardens of houses, apartment-buildings, and on the stony small ridges beside footpaths as well as here and there in forests and uncultivated fields. I have always identified strongly with the daffodil. I have never said so […]
Everywhere Salvatore of Lucan’s art combines a rigorous and searching honesty about all the most characteristic aspects of a single place, time and self with the intense feeling of a world which is not that place and time – even his name: as much serious as joking, as much old as completely new. […]
a few hundred pages of hard books – or else a few minutes with the sculptures of Giacometti Theorists try to understand the world as if unfolding in a giant process with certain rules, whereas for artists the point is to observe it as a spectacle of which any thoughts and representations are just […]
In poetry the nearest figure to Patrick Kavanagh is Charles Baudelaire. Both were often destitute. Both found a verse that was above all music, not aspiring to music, like Walter Pater said of every art-form, but music itself made of words and because of it more profound. For both men the heart […]
One of Greek tragedy’s foremost concerns is the contemplation of polarities. In a part of Sophocles’s Antigone, Ismene tells her sister, “You have a warm heart for cold things”, In ancient Greek culture, warm things are alive, cold ones dead; but for Antigone, now, the fire of her life and self has its source in […]