
In 2018, the New York Times named ‘An Octoroon’ by the American playwright Brandon Jacobs-Jenkins the second-best play since ‘Angels in America’ (putting first for some reason the excruciating ‘Topdog/Underdog’) – but despite this, the play is scintillating and worth seeing. It is complicated to summarise, but essentially, Jacobs-Jenkins reworks a Nineteenth-Century play called […]