journalism

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    Capitalisteracy

    Ireland has a dreadful, inequitable, dangerously failing healthcare system. The State’s answer is the likes of healthy Ireland, which runs a public campaign that, in essence, throws the responsibility for health on to individuals – who seemingly just need help from an initiative to ‘empower and motivate them’. February saw the launching conference – hosted by the Broadcasting Authority of Ireland (BAI) at Facebook Ireland HQ – of a new network, Media Literacy Ireland (disclosure: I’m in it). From the conference stage there was lots of talk about empowerment and not much talk exploring from whom it might be necessary to take power away. There was even a speaker from healthy Ireland, lest the analogy be missed. Don’t be surprised, then, to encounter an Irish campaign in the next year or two imploring you to the media equivalent of ‘eat your vegetables, get some exercise, don’t smoke cigarettes’. Something along the lines of ‘read the Irish Times, trust in Miriam, don’t tweet fake news’. Or maybe not. Media Literacy Ireland potentially has some of the hallmarks of industry-friendly campaigns like Drink Aware and Gamble Aware, plus the involvement of a regulator, the BAI, which might like a campaign that implicitly justifies light-touch regulation abetted by ‘greater public awareness’. On the other hand – and credit to its organisers for this – Media Literacy Ireland has come into being as a genuine network of interested researchers, activists, community-media practitioners and others. And most of us in it are not disposed to frame the problem with Irish media as one of public credulousness, to be addressed by offering tips for spotting ‘extremism’ online. Regular readers will know my view: that media (like healthcare) have a capitalism problem, and that everything from fake news to clickbait to inadequate investigative resources to Denis O’Brien ows from that basic source. But you don’t have to agree with me and name the underlying problem as capitalism to understand that there are structural causes for crises such as the one that erupted recently over Government ‘advertorial’. “I believe the Government is attempting to exploit the difficulties many local and regional titles are facing to promote their party interests”, said no less a media critic than Fianna Fáil’s Timmy Dooley, the party’s spokesman on communications. (How sweetly old-fashioned that word ‘communications’ can sound as it grapples with the changing world.) Media literacy, if it is to be of any use, has to do more than implore us to look for the little ‘special feature’ tag on the top of a piece of paid corporate or government puffery, then to regard the ‘journalism’ below with due scepticism. It must mean understanding ‘the difficulties’ for all journalism that operates in the current market, especially one in which technological change has accelerated existing trends toward blurred lines, and in which advertisers have alternatives to local and regional newspapers when it comes to reaching eyeballs. If the most poignant aspect of that brief, quickly snowed-under ‘Ireland 2040’ crisis was the image of the Taoiseach issuing guidelines for labelling advertorial content – guidelines of which the most callow intern in a local newsroom should surely already be aware – we shouldn’t lose sight of the fact that media have been operating at the edges of such guidelines for decades, for the benefit of advertisers looking to buy a little ersatz editorial credibility. How can this fail to be a lesson about how fragile, at best, any such credibility has become ? As the media may or may not have told you, global research shows trust in media is in tatters – media are less trusted than governments, NGOs, businesses – and Irish people are at the mistrustful end of the distribution. In this context, media literacy can hardly consist of legacy media saying ‘trust us, not them’. What can be done ? (Yes, short of getting rid of capitalism.) Anyone who has worked in a newsroom knows what a frightening prospect it would be to try to earn the public’s trust with transparency and accountability about our editorial practices. On a daily basis, contingent and incomplete information is transformed into definitive statements of ringing certitude. That’s one sausage factory we don’t want you to see inside, especially since the work often consists of sticking our label on someone else’s meat. The irony is that the technology often over-simplistically blamed for creating the journalism crisis has long offered tools for remarkable transparency, tools that most journalists have chosen to use only in limited ways. What if hyperlinks in journalists’ stories led not to dull pages of cross-references or to Wikipedia, but rather to images of documents and notebook pages, audio of interviews, pictures of the journalist in the field ? It can be done and has been done, but the experiments in transparency of the early web – notably the extraordinary 1996 investigative series by the aptly named Gary Webb in the San Jose Mercury news, about the CIA’s involvement in the cocaine trade – have rarely been repeated, let alone built upon. Such transparency would foster media literacy without the onus being placed on the audience. Whether it would foster trust is, of course, a matter of what audiences thought of the practices revealed by transparency. Interactivity and social media mean we have some tools whereby that reaction could be tested and gauged. Dublin Institute of Technology, thankfully, is prepared to put its money where my media-literacy mouth is: it’s funding a project that will will use the Liberty, a student- produced ‘hyperlocal’ newspaper and website for Dublin’s Liberties area, to innovate in the area of journalistic transparency. We’ll employ social media as a forum for sharing ‘the story behind the story’, with tweets, Facebook updates, Youtube videos and Instagram posts that unveil aspects of the production of journalism, from notebook pages to editing history, from who-was-interviewed to who-refused. A doctoral-level researcher will be responsible for implementation, monitoring, community engagement and evaluation of this project, which should help readers to understand better the process of news construction, and help journalists-in-training become accustomed to

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    Mojocon no Mojo con

    MoJoCon – the Mobile Journalism Conference which debuted in Dublin last year – has its roots almost a decade ago, when Glen Mulcahy, then working with RTE Nuacht, began experimenting with the camera on his Nokia N93 smartphone. “Video quality was atrociously bad, photographs were tiny, 1Mb was seen as huge, it was very much in its infancy”, recalls Mulcahy, now RTE’s head of innovation. “We were experimenting with that around the time Reuters had deployed the same tools to their journalists in the UK to create content for websites”. A handful of stories was produced to an acceptable broadcast quality using the mobile devices, and Mulcahy started keeping track of other broadcasters who were doing the same.“I thought, we need to bring everyone together, talk about what we’re doing, and that was the birth of MoJoCon”. From those beginnings, and networks built up through Circom, the European Association of Regional Broadcasters, MoJoCon has evolved into a “leading international media conference focusing on mobile journalism, mobile content creation, mobile photography and new technology all in one event”. Mulcahy may be an advocate for new technology, but he doesn’t expect RTÉ reporters will be carrying smartphones and selfie sticks by the end of the decade. “People still expect a particular kind of look when they turn on the television. You can’t do sports coverage on mobile, for example – you need those broadcast cameras, powerful zoom, all those expensive things. That said, there is very interesting case study, a station in Luxembourg, Léman Bleu, uses mobile to create content for their TV news. I think they are very brave to go this early”. “You will still see cameramen, you will still see satellite trucks in five years time, not journalists with selfie sticks. There are times when mobile works, but mobile is not mature enough yet to do 100% of the work”. Where he does see openings for new technology to expand are in non— broadcast media outlets, from newspapers to independent pod-and video-casts. “There are a few case studies in the Irish Times where I was absolutely blown away by some of the stuff they were able to do. They also very cleverly decided to upskill all their press photographers who were interested in doing it into shooting video with their DSLR cameras. So you have a new aesthetic. You definitely have better, although not necessarily radically more expensive, cameras and you also have some of the journalists who responded and went out shooting stuff with their phones”. “You don’t need a broadcast-quality camera to produce content that going to be delivered (back) onto mobile phones. I’m more and more coming to the opinion that there is a mobile ecosystem where we create on the mobile phone, edit on mobile phone, and deliver to mobile phones”. New technologies, and the ability to produce programming and news quickly and cheaply, also have implications for how RTÉ covers different communities, Mulcahy believes. “In the UK, there’s been a concerted effort by the BBC over the last 12 to 18 months to try and encourage hyperlocal sites. There is a UK government initiative where you can get a modest fund to basically try and get it off the ground. So there’s more that the government here could do to encourage that level of local community content”. “This is a device that most people have in their pocket. Maybe not everyone has a top-of- the-line Android or whatever, but lots of people have smartphones that can do pretty decent video, reasonably decent video”. “There is potential to give community-group newsletters, the ones that get stuffed on A4 sheets through letterboxes, a mobile angle. We could really energise community activism at grass roots level by showing them what you can do with video on mobile”. Looking to the future, as technologies (and screens) merge, Mulcahy can see a point where RTÉ produces video and audio not just for broadcast, but for the web, and for web first. As technologies mature, there is no strict reason why, for example, a new report compiled during the mid-afternoon should have to wait until the Nine news to be seen, when it can be immediately streamed to desktop computers or phones. Gerard Cunningham

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