
38 July 2021
manuscript, they found something in it that
confirmed their worst fears: something so
alarming they intervened and successfully
persuaded Collins to abandon the publica
-
tion. Thorpe was well pleased with the result
and commented that the author’s search for a
publisher would now “have to start again from
scratch”.
Michael Gill, managing director of Gill and
Macmillan, stepped into the breach with an
oer to publish it. Plates were made up and
sent to a firm called Cahills for printing. On
this occasion, George Colley, a minister in
Lynch’s cabinet, swooped. As Captain Kelly
put it, Cahills had some “valuable govern-
ment printing contracts and this was the soft
underbelly that gave the Irish government its
chance, with word coming down from George
Colley’s Ministry of Finance to halt printing or
else! As far as both governments were con-
cerned, ‘Orders for The Captain’ was not going
to see the light of day and they nearly
succeeded”.
Undaunted, Captain Kelly decided to self-
publish the book and approached a number
of printers but, “the word had got out” and
they were “not prepared to print in the face of
ocial opprobrium”.
Help materialised out of the shadows: the
Captain next received a phone call from a man
who refused to identify himself but “requested
that I meet him in an oce in Jervis Street in
Dublin’s city centre. He indicated that he
might be in a position to help solve my print-
ing problem. In Jervis Street, I climbed one or
two flights of stairs in the designated building
and found myself in a dark, dingy oce. An
apparently sturdy figure of average height sat
hunched behind a small bare desk. He ges-
tured towards the chair. Reiterating that he
did not want to be identified, he requested
that I should forget the meeting once it was
over. To this day, I have not met the man again
nor do I know who he was, but somehow or
other I got the impression that he was a
lawyer”.
The mysterious figure told him that there
was a “small printing machine,
operating on the phonographic
system around the corner in
Abbey Street, which I could
rent. We discussed the ‘ins and
outs’ of the matter and it was
agreed that I should print
2,000 copies of the book ini-
tially, sell them and then pay
the rent of the machine and
the wages of the operator;
and carry on from there. We
shook hands on the deal and
I went straight to the printing
shop, where I introduced myself to the
young machine operator and explained
what I intended doing. Obviously, he had
been briefed to expect me and I arranged to
bring in the plates the following week. With-
out hesitation or payment, Michael Gill
instructed Cahills to release the plates to me,
while the printing firm, despite the ocial
diktat not to print, agreed to collate and bind
the book. On the due date, I arrived in Abbey
Street; the machine was set up, and we were
ready to go”.
The first 2,000 prints sold out in days, but
Captain Kelly found himself short of copies
when the “clamour for them was at its high-
est”. Nevertheless, he spent a year producing
and distributing the book, “considerably
relieving the impecunious position I and my
family found ourselves in after the trauma of
the trials”.
3. What was in the book
that so alarmed the
British?
One of the more unpleasant myths to emerge
from the vines of dishonesty which have
wrapped themselves around the Arms Crisis
was a tendril which tried to manufacture a link
between Captain Kelly and Saor Éire, the para-
military group which murdered Garda Richard
Fallon on the Quays in Dublin in April 1970.
Captain Kelly was arrested in May 1970 by the
Head of Garda Special Branch, John Fleming,
and an Inspector Doocey. The pair interviewed
Captain Kelly at the Bridewell. As the Captain
recounted in ‘Orders for the Captain’, the first
question put to him by Doocey was: “What do
you know about the Garda Fallon murder?”.
When Captain Kelly responded with purple-
veined outrage, the question was
withdrawn.
The reason for the question was a false and
malicious rumour that the Captain and his
associates had helped Saor Éire to procure
the gun used to shoot Garda Fallon. While
there was no evidence for
this, the allegation clearly
poisoned the attitude of
the Garda against Captain
Kelly and his associates.
Neil Blaney, one of the
Cabinet ministers dis
-
missed by Taoiseach Jack
Lynch during the Arms
Crisis, was so incensed
about rumours linking him
to the group, he not only
denied them but referred to
the organisation in the Dáil
during the Arms Crisis
debate as “that lousy outfit
Saor Éire”.
4. Where did the murder
weapon come from?
So, where did the murder weapon come from?
According to Seán Boyne, author of the bril-
liant book, Gunrunners, Saor Éire had been
amassing weapons in the late 1960s. One of
its members revealed to him that they had
established a contact who worked at the Brit-
ish Small Arms factory in Birmingham. It
‘proved’ 9mm Star pistols for the Star muni-
tions factory in Spain. The contact was able to
set aside perfectly good pistols as ‘rejects’
and later smuggle them out of the factory.
They were then sent to Ireland, passing sur-
reptitiously through Dublin Airport.
Another source of guns for Saor Éire had
been a high-profile Dublin underworld figure.
Boyne discovered that the Gardaí had come
to believe that one of the Birmingham guns
had been used to murder Garda Fallon in
Dublin on 3 April 1970.
5. British Intelligence spies
on Saor Éire but lets
them smuggle guns to
Ireland
British Intelligence could have halted the
importation of the murder weapon but chose
not to. The British agent who knew all about
the Saor Éire gun-running eorts was the mys-
terious Captain Peter Markham Randall.
Captain Kelly had saved his life in Dublin in
November 1969 when he had tried to gain
access to what he believed were IRA gun-train-
ing camps by oering arms to Northern
Nationalists including John Kelly, a later co-
defendant at the Arms Trials.
Captain Kelly described the British spy in
‘Orders for the Captain’ as a “small, dark-
haired, goatee-bearded man”. This description
bears a striking resemblance to the arms
dealer that Boyne described as having helped
What was in Kelly’s book that was
of such concern?
Sean Boyne
describes efforts
by a British agent
to infiltrate Saor
Éire. He was
undoubtedly the
same man who
featured in Kelly’s
book.