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    Make sure of the facts

    There are two dominant interpretations of what’s come to be known as “call-out culture”. Many see it as an effective way of holding people, particularly public figures, to account for objectionable deeds and utterances that their status might otherwise have allowed them get away with. Social media has certainly played a massive role in an accelleration of accountability that is changing the way big organisations function. For the powers-that-be many styles of “cover-up” are simply no longer possible. One individual can go viral with their story in a matter of minutes. However, many others see call-out culture as trial by mob, a return to a medieval mentality, or puritanism in another guise – particularly when applied to individuals rather than institutions. Either way, I think – I hope – everyone can agree people shouldn’t be held to account for things they haven’t actually said or done. Yet over the past year it seems there is a disturbing new trend in the now conglomerated battlegrounds of media and social media. The values of call out culture – the idea that people should be made atone for perceived offence through group-shaming – are no longer a phenomenon of those periphery cultures largely concerned with traditional arenas of cultural theory: questions of gender, minorities, and identity. In 2017, call out culture went mainstream in a big way. I’m not referring to the Hollywood purge, which did aim to address gendered issues, and seems to have been long-overdue. The culture of the call-out – its language, style, mentality – started to intrude into new domains. The standard of offence became radically expanded, and the concept of proportionality (let the punishment fit the crime) went out the window. The most depressingly ridiculous example of this has to be the career ending decision of Barry McElduff to make a short video in a local shop, pretending not to be able to find a loaf of bread which was in fact balanced on his head. The video was posted the night before the, to be fair – fairly inauspicious – date of the 42nd anniversary of the Kingsmills massacre. Kingsmills was one of the most despicable atrocities of The Troubles. A group of workers had been travelling on a bus home from a factory when they were stopped by what was ostensibly a British Army patrol. In one of the most poignant gestures of the Troubles, when the gunmen asked the single Catholic worker to identify himself, his Protestant co-workers tried to prevent him stepping forward, as they believed it to be a loyalist gang targetting Catholics. He identified himself nonetheless, but was spared. It was the 10 Protestant workers who were machine-gunned to death. Another man survived despite having been shot 18 times. After the the video was “called-out” on Twitter, condemnation of Kingsmills seemed immediately to become coterminous with condemnation of McElduff. Defence of McElduff was taken to be defence of the massacre. This is a fixture of this style of thinking – any query as to whether or not the accusation is accurate is taken as defence of the deed that has been alleged. Those who queried the likelihood the then MLA was performing some piece of bizarre Daliesque sectarian performance art, were met with rebuttals reasserting how wicked a deed the massacre was, and that it was no laughing matter. Surely true, but irrelevant to ascertaining whether or not McElduff was actually referencing Kingsmills when he put the loaf on his head. I watched in dismay as a number figures across the political spectrum – some of whom I’ve long admired – rushed to condemn McElduff, refusing to countenance the notion that this was an unfortunate coincidence. His own then ordained leader-to-be, Mary Lou-McDonald proved of the same mind-set as she condemned McElduff’s tweet as “crass”, “stupid”, and “unforgivable”. She of course had not condemned the numerous social media posts prior to this in which McElduff had balanced other comestibles on his head, although there were many – it seems to have been a running pantomime gag for the politician. When someone points me to the sectarian atrocity he was referencing when he took a photo with a Snickers balanced on his scalp, then I’ll believe there was ill-intent. It was instead his young daughter who was left to try and defend her father against the social media onslaught, explaining the photo was taken in the shop she worked in, the family always ate Kingsmills bread, etc etc, to absolutely no avail. Fixed thinking is another aspect of this praxis – no amount of evidence will exhonerate the accused, any defence offered is taken as further evidence of their guilt. What mattered to McDonald was not the facts of the matter, or loyalty to someone who dedicated their life to a political party she joined in the late 1990s, what mattered was assuaging the mob. And this has become the prime directive for many powerful people, not only in politics, but in the media and corporate world. This is regrettable, as another recurring theme is that the outrage is often so loud it entirely obfuscates the circumstances of the original incident. In another example, John Connors drew ire after tweeting that he personally wouldn’t call the police on someone for “robbing bread”. This was then completely conflated with events later that same day, when a stolen digger was used to smash and try to steal the safe from a Lidl which had earlier been looted of food and drink. No amount of clarification could convince many of the call-out crew that Connnors was not trying to downplay or justify an event that hadn’t even happened when he originally tweeted. Thankfully Connors is comparatively invulnerable to these tactics, unlike McElduff his career is not subject to the vicissitudes of political sensitivities. Lest anyone accuse me of being partisan, here’s an example of precisely the same style put to use in the opposite direction. When former Taoiseach Liam Cosgrave died, RTE presenter Sean O’Rourke retold

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    Nationalists as Real Men

    In 1909 Patrick Pearse wrote a short six-verse Irish-language poem, ‘A Mhic Bhig na gCleas’, translated into English as ‘Little Lad of the Tricks’. A relatively disposable piece, it has since gone on to have an infamous status; proof for many that Pearse had dark sexual proclivities: … Raise your comely head Till I kiss your mouth: If either of us is the better of that I am the better of it. There is a fragrance in your kiss That I have not found yet In the kisses of women Or in the honey of their bodies… Ruth Dudley Edwards’ 1979 revisionist biography, ‘The Triumph of Failure’ makes much of this poem, presenting it as evidence of Pearse’s supressed tendencies. And later works have echoed her, to the point that the trope of Pearse-as-Paedophile is now standard fare among Irish historians. Similar speculations have also been made about Eoin O’Duffy and even about Michael Collins. Such tabloid innuendos, though, ignore a central truth about Irish nationalists in the early years of the twentieth century: masculinity mattered for them. Not in the sense of private peccadilloes, but as a key part of their public ideology. Masculinity did much work for organisations like Sinn Féin and the Irish Volunteers, allowing them, as it did, to imagine what national sovereignty and the end of British colonial rule would look like. It allowed them to analyse that British rule as an effeminising influence on Irish men. And it allowed them to attack opponents, such as the Irish Parliamentary Party, as unmanly traitors. The heavy emphasis on masculinity also does much to explain how and why women and leftists were systematically frustrated in their efforts to influence the national movement; imagining the nation as a male fraternity was a convenient way to dismiss feminism or socialism as divisive ideologies that pitted brother against brother. In another of Pearse’s most famous texts, ‘The Murder Machine’, the educator-nationalist railed against the British state schools in Ireland (the “machine”). And in a telling passage, Pearse denounced the contemporary school system as worse than “an edict for the general castration of Irish males”. Anglicised Irishmen, he said, are “not slaves merely, but very eunuchs”. For Pearse, Irish men had been emasculated by British colonialism and by the slow parallel process of Anglicisation. These were common anxieties among almost all Irish nationalists. A recurring theme in Gaelic League publications was that the Irish, by abandoning their native language, had become de cient and deformed and no longer real men. As one turn-of-the-century Gaelic Leaguer said, if the Irish continued to speak only English, then “we can never be perfect men, full and strong men, able to do a true man’s part for God and Fatherland”. The movement to revive the Irish language was thus imagined as a process of reasserting a purified male power and was often associated with a recovery of sovereignty and strength. When the Irish Volunteers were established in 1912, many of their founding members had already imbibed the thinking that saw national revival and masculine revival as two parts of a broader whole. Writing in the Irish Republican Brotherhood’s Irish Freedom newspaper in July 1912, Ernest Blythe, a government minister in the 1920s, discussed the contribution that the Volunteers would make to healthy Irish masculinity. While he criticised the weak “ abby men” that predominated in Ireland, he also spoke of a subterranean manliness still surviving, he said, thanks to both militant nationalists “but also those whose thoughts have gone no further than the running and leaping and hurling which they delighted in”. The future Irishmen, whom physical-culture and physical-force enthusiasts such as these would birth, would be noticeable by their “mighty lungs and muscled frames”. The Volunteers were “the rebirth of manhood unto this Nation”. Their muscular masculinity would replace the abby weakness of Ireland under British rule. Talk of masculine power continued to circulate in the years after the Rising. Indeed, Ernie O’Malley, a medical student turned IRA soldier, later remembered that one positive effect of the war was that the “familiar stage-Irishman had disappeared”, replaced by the confident, armed men of the IRA. The rhetoric of heroic men standing together for the national interest, also lent itself to suppressing the ‘wrong’ kind of politics. A 1921 pamphlet on ‘The Labour Problem’ published by the Sinn Féin-allied Cumann Léigheachtaí an Phobhail presented socialism as an intrusion into the national fraternity of men: “Labour… is like a virulent foreign element in the social system… whatever else we are, capitalist or worker or neither, we are all Irishmen interested beyond anything else in the welfare of our common country, and as an Irishman speaking to Irishmen I put it that these industrial conflicts, if continued, will inevitably impair, if not utterly destroy, our common country”. Feminism was denounced in almost the exact same terms. The tourism-friendly version of Irish nationalism that has featured in the ‘Decade of Commemorations’ has received a large dose of justified criticism. With the government promoting an image of romantic, if depoliticised Irish rebels, it is worth remembering, first, how much Irish nationalism was a product of the encounter with British colonialism. Second, the State that emerged from this national struggle was noticeably coercive, particularly when it came to female citizens or left-wing politics. Masculinity, and the nationalist desire to create a harmonious nation of muscular men, was central to all of that. Masculinity matters. Aidan Joseph Beatty Aidan Joseph Beatty is Scholar-in-Residence at the School of Canadian Irish Studies, Concor- dia University, Montreal and author of ‘Masculinity and Power in Irish Nationalism, 1884-1938’. aidanbeatty.com

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