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    The cost of costs

    Real justice requires access to justice, which requires effective access to courts, which requires that courts be accessible without the threat of prohibitive costs. Some 90%, or an even higher percentage, of people in Ireland have no realistic access to justice, due to the prohibitiveness of the costs associated with legal actions via the courts. The Irish system of access to justice is permeated with unfair procedures, unconstitutional laws, and conflicts of interests, which means that most court users in Ireland are vulnerable users. BalaNCiNG CONFliCTiNG CONSTiTUTiONal RiGHTS: The English rule (Loser pays rule) on legal costs does not balance two conflicting rights – (1) the property rights of winning litigants, and (2) the right of persons to have access to the courts, without being threatened by unpredictable and prohibitive legal costs. Notionally, proponents of the English rule claim that winners are entitled to be 100% vindicated, and so be in a position to cover all their legal costs. However, this is a very narrow view, which fails to assess the big-picture consequences: (a) winners are also threatened, up to the point of winning, and can be threatened as defendants, in circumstances where they have no chance of recovery of costs from penny-less plaintiffs. (b) the English rule creates all sorts of conflicts of interests and market distortions, which enormously inflate the costs payable. (c) wealthy litigants can threaten persons of lessor wealth, with adverse costs, such that the case is determined more often by issues of fear, rather than justice. (d) the state, and most government actors become unaccountable, as the decision makers are immune from costs (lumped ontaxpayers, often, with little transparency), but can pursue political goals, or engage in abuse of power, with no financial downside, and can still threaten all challengers with financial ruin; this inequality of arms, means that citizens are generally unable to challenge the unconstitutional laws and conduct of government. HeNCe, THe eNGliSH RUle iS NOT COMPaTiBle WiTH a Real CONSTiTUTiONal deMOCRaCy: Costs Allocation Rules incentivise Unfair Adjudication Rules which also incentivise Inefficiencies into the system. Because the government is allowed to intimidate its challengers with unlimited adverse costs, it then wants to maximise those costs, so as to bolster its threat and avoid oversight; High Legal Costs has been the default weapon of choice for all governments since the commencement of the state; the “Big Stick” is maintained to bounce its opponents out of the ring, and this has so far been achieved with little condemnation by international institutions, which have largely failed to recognise the stealth threat that prohibitive costs represents as a threat to the rule of law. The Big Stick undemocratically deters citizens and/or NGOs from challenging the government when it passes unconstitutional laws, or acts unconstitutionally – this allows the government to pander to its own electoral constituency while depriving less well represented persons access to rights protection, leading to violations of minority rights and individual rights. When populist demands call for adjudicative processes which affect specific rights of connected groups, QUANGOs are often created in order to parry off populist demands for accessible justice. The substitute QUANGO justice can rarely be as independent as courts, and the outcomes are often secretised, thus bypassing democratic oversight. Hence, the government passes unfair laws for legal costs adjudication, so as to frighten all challengers – this allows it to exercise power with minimum oversight. THe Need FOR CCOS (COSTS CaPPiNG ORdeRS) In the ex parte application by Dymphna Maher [2012], the applicant effectively sought an assurance from the High Court that any adverse costs would not be prohibitively expensive, if her lawsuit was subsequently deemed not to have fallen under the ambit of the special costs regime (related to some environmental cases). Judge Hedigan insisted that there was no legal authority to permit him to make the order sought by the applicant. However, he observed that: “[It was] very arguable that the absence of some legal provision permitting an applicant to bring such a motion, without exposure to an order for costs, acts in such a way as to nullify the State’s efforts to comply with its obligation to ensure that costs in certain planning matters are not prohibitive. As things stand, I have no power to change this”. This case along with 12 other cases was appealed to the Supreme Court (SC) on an ex parte basis – where only one of the parties is heard. The SC held that it could not provide such an assurance, on an ex parte basis, as the other side (the EPA) needed to be heard first. The SC decision in the Coffey case means, in effect, that any person seeing to access the courts in Ireland is threatened with financial ruin, even if just seeking a CCO. The court failed proportionately to balance the right of access to the courts as a right conflicting with the property rights of government, particularly in the context of the need for real separation of powers. The judicial sphere of power is rendered inaccessible to most citizens, when the loser-pays rule is applied to challenges to executive power, and so the judicial sphere of power is inappropriately diminished; this undermines the checks and balances necessary in a liberal democracy between the legislative, executive an judicial functions. SePaRaTiON OF POWeRS By dividing power between these traditional three spheres, the courts, the government, and the Oireachtas, we help to disperse power and make less probable the accumulation of power to one person, or a small elite, as often happens in what are referred to as illiberal democracies. Diagram 1, above, displays the traditional Montesquieu view of three spheres of power. However the (Montesquieu) tripartite division of power, is a poor reflection of reality. This is largely because it generally fails to engage with the level of real power held by each of the three spheres, in practice. A second flaw, is that there should really be five spheres of power, and not three; the people should be seen

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    History is not Herstory

    Less than 30% of the writers in Village are women. And only 30% of the articles submitted for publication come from women. What’s going on? Village is politically correct and right-on. Uniquely it never, to take an example, markets magazines by putting attractive women on the cover. Village takes progressive social theory seriously. It consistently takes the most ‘liberal’ stance on abortion and reproductive rights. Most of all, and this is what determines so much of its stance, Village believes in inconvenient and prickly equality of outcome, not shiny and friendly equality of opportunity. In other words not just opening up for all, but giving the worse-off an actual leg up or a quota to compensate for the iniquities of history. This applies to women as much to any group. The new Dáil will have only 35 women out of 158. This is a more-than-50% improvement since 2011 and the number of female candidates was up to 163 from 86 in 2011 when it yielded 22 women out of 166 (up from 3 in 1973 and 22 in 2002 and 2007). Nationally, the average number of first-preference votes per man was 4,205. For women, it was 3,260. Village has given a good bit of of space to women who want to change this, to move towards fty percent female representation in parliament. The Electoral Act 2012, amusingly promoted by Phil Hogan and opposed by Fianna Fáil, applied a gender-quota rule that parties had to have at least 30% candidates of each sex or they lose half of their state funding. All parties except Direct Democracy Ireland applied their quota. Village supports this. I support this. That’s politics. We should push for immediate progress, everywhere. History and culture are different. The Abbey Theatre got into trouble recently because only one of the ten authors chosen for its 1916 commemorative programme, Waking the Nation, was a women. Other theatres and film bodies have taken similar flak. A recent rather unconvincing evocation of the Rising, Rebellion, made efforts to portray the events of that era with women to the fore. I disagree with these approaches. As to the Abbey’s Programme, what if the women took bog-standard anti-feminist positions, would they still merit advancement in the programme? Is it that a third of the writers should usually write pro-feminist pieces or is it that the third should have written pro-feminist pieces in this instance? Should there also be a certain number of works produced that have been written authors from racial minorities, from the young and the old, from LGBT and straight? Should it be the same with the actors? What about the audience? The answer to much of this is No. And as regards history, you’re trying to record the way things were: history. You shouldn’t, and you don’t need for any political reason to, distort it. All you can do with history is acknowledge and let it inform, though never determine, your politics. For the same reason that you don’t make the ruling classes working classes or younger than they were in the interests of some perceived correctness, you don’t pretend that women were the protagonists in the Rising. Unfortunately they were not. I also disagree more generally with distorting the facts to suit the ideology. The idea underpinning politics is to resolve the facts objectively and then apply the ideology. Not the other way around unless you thing your ideology is so weak that it won’t fit certain facts. In which case change your ideology, it was wrong. When the facts don‘t suit your ideology it is time to find a new ideology, or stay quiet; and more precisely to realise you should have had a better ideology in the first place The debate on women’s rights has become unintellectualised, entrenched and sometimes underinformed. For example a recent only partly-corrected Una Mullally article in the Irish Times misreported that Fianna Fáil’s policy was to have “up to a third of its candidates women”. She ridiculed the policy even though the policy did not, and legally and logically could not have, said this. It would certainly have been nice for those of us who believe that the point of that party is only ever to adopt progressive agendas, at the very last minute, if Fianna Fáil had got it so skewed, but they had not. Between Una Mullally and her employer they could not bring themselves to correct the article properly. The reason for the politics of women’s equality is that it has been an unequal world. It was an unequal world when they (men) made God a Man, it was unequal in 1916 and it’s still unequal because women earn less, are politically less powerful and have less autonomy than men. Only a fool would deny it. Because of the legacy of thousands of years of suppression women have not written as good, or indeed nearly as many, plays as men. Women also write differently from men, largely for socio-cultural reasons but also sometimes for reasons based in their physiological natures. The point is to change that by counterbalancing. Women of today who want it and show talent should get more training in playwrighting paid for by the state and its institutions, than that available to similar men, particularly training that helps them break down prejudices and that facilitates overcoming sexist obstacles to success. An admirable recently announced initiative from the Irish Film Board is doing roughly this. Such initiatives tend to generate equality of outcome. Regrettably in the arts it will be some generations before the volume of brilliant works by women rivals the volume of brilliant works by men, created over the aeons, even controlling for the heightened relevance of contemporariness. It is different with politics which, unlike history, does not or should not, trade in the past. It is possible, indeed imperative, to push for progressive change. It is, because of the nature of the discipline, and the period in which it trades – the past, not possible to push for change of

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    The life and Crimes of CJH

    There is something quaint about Conor Lenihan assessing the life of Charlie Haughey, the man who stole money from the fund for his father’s liver transplant and then fired his father as Tánaiste and Minister for Defence. Lenihan has pieced together a mixture of his own memories of the former Taoiseach and anecdotes that his father, Brian Lenihan senior, passed on to him. Because of this, the reader inevitably looks for evidence of personal bias on the part of this author and it is certainly a particular, personal work. This is a distraction because these characteristics import a significant source of new material, and new perspectives on old material. Nevertheless the media do not seem to have embraced Lenihan’s approach and strangely this book has not been reviewed in the mainstream press. The book is easy reading if patchy. Lenihan of course has a pedigree of grandson, son, brother and niece of TDs and, as a famously boisterous quidnunc he exploits it – all. Lenihan opens by admitting, nay boasting, that it is rare that an adult life is heavily influenced by an historical figure, but that his was, by Haughey. The moral compass of the book spins unpredictably. It often lionises Haughey but also assiduously maintains another Lenihan-centred narrative which actually surfaces only sporadically and peaks in intensity with the sacking of Lenihan senior and with the loss of his bid for Áras an Uachtaráin weeks later. The most poignant page in the book is the last one, the sole appendix, which reproduces the letter from Haughey requesting the resignation of Lenihan’s father. It begins “A Thánaiste, a Aire” and proceeds to threaten that if he does not resign that Haughey will request the President to terminate the appointment. An underpinning of authorial disdain is surely being implied. Lenihan reprises a lacklustre recitation of the Small Man’s biography: son of a Free Stater, Lieutenant in the FCA, North Dublin ward boss, marriage to Lemass’s daughter, reforming minister, arbiter of taste (here Lenihan is too kind). But consistent hypocrite supporting Archbishop McQuaid’s banning of Edna O’Brien’s ‘The Country Girls’. The man from TACA, the 1960s Christian Brothers’ Boy in mohair suits doing the social rounds in The Shelbourne, The Hibernian, Jammet’s, The Russell and Groome’s. So far, so well-known. Lenihan explains the realpolitik forcing Lemass to offer Haughey the Finance Ministry and Blaney the Agriculture Ministry leaving Lynch to see off Colley (59 votes to 19) and become Taoiseach. A brisk narrative on the Arms Crisis foreshadows Haughey’s first fall. Lenihan believes Lynch “knew much earlier than he insisted that weapons were to be purchased” but “backed off and decided to blame the entire fiasco on those ministers, and Captain Kelly”. Haughey, Blaney and Gibbons were “briefed at every step of the way, if not by Captain Kelly, then by the Army’s Head of Intelligence Colonel Michael Hefferon”. Still Lenihan is perplexed as to why “Lynch opted to put those involved on trial in the courts” and adds ‘my father always said that the main person pushing for a prosecution was George Colley”. Haughey’s return is well done. He enlisted Reynolds and his country and western caucus and was back as a Minister in Lynch’s government by 1975. Haughey’s pretensions rose ever greater: “Some preferred the Mercedes but Haughey felt the Jaguar cut a greater dash, with its leather seats and inlay”. Meanwhile back in the city Haughey’s constituency machinery cranked out cheques and Christmas turkeys. In summer there was a charity gymkhana (in aid of the Central Remedial Clinic!) with marquee and CJH in riding gear with Lady Valerie Goulding, silver trays and matching teapots on the lawns of Kinsealy. By 1979 he was leader of Fianna Fáil and Taoiseach. Lenihan notes (in a sentence that in fairness he appropriates from Haughey’s Wikipedia entry, that: “Within days of his becoming Taoiseach, Allied Irish Banks forgave Haughey £400,000 of a £1,000,000 debt. No reason was given for this. The Economist obituary on Haughey (24 June 2006) asserted that he had warned the bank ‘I can be a very troublesome adversary’”. Haughey’s 1980 Ard Fheis was “like a Baptist revival meeting rather than a political conference”. Then GUBU set in in 1982. Lenihan surely veers towards the unedifyingly bizarre as he reveals that a contact of his in the Tory party told him that Haughey was “the first person to compliment Mrs Thatcher on her legs” at the Anglo-Irish summit which spawned Lenihan senior typically ponderous invocation of “the totality of relationships”. Haughey’s interventionism over the liver transplant for Lenihan senior in the Mayo Clinic is narrated scrupulously with Haughey ordering Paul Kavanagh who fundraised €270,000, though “no more than €70,000 was spent”, to divert the balance to Haughey and his Charvet shirts (though Lenihan, being a Lenihan, is much too practical to care, or even mention, the fetish for haute couture). Lenihan recounts with palpable pleasure how Haughey survived the 1991 challenge from Reynolds (55 votes to 22). Haughey lived through his dissection by the Moriarty Tribunal and died of prostate cancer in 2006 before he could be prosecuted. Homely depictions of Lenihan’s mother and her friends debating the ethics and sexiness of early Haughey mingle with Lenihan’s recollection of how Brian Lenihan senior’s hopes that Fianna Fáil might not campaign against divorce were dashed by Haughey. Other anecdotal references sometimes, though not always, seem tailored to elevate the perspicacity of the author’s dad but also give the book a beguiling sense of Lenihanesque intimate authority – as when he reveals that he acted as an informal intermediary for Albert Reynolds in the early 1990s, though he was a working journalist. There is charming colour too as when for example he captures the private sides of De Valera and Lemass, or remembers a bottle of whiskey placed at Jack Lynch’s setting at a dinner in the late 1960s being consumed in the course of an evening. He reveals that his father and Ray Burke, of all people, agreed to fill out their ballot papers the same

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