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    The dangers of the “shoebox” argument.

    By Ronan Lyons. It is accepted by almost everybody that, in a city with Dublin’s geography, a home with a south or west aspect is preferable to one that faces north or east. Similarly, who could argue that having 60-square-metres to live in is better than 50? Everything else being equal, I think we’d all take those ten extra square metres any day. Unfortunately, everything is not equal. As anyone who has built a home or even just an extension will know, every extra square metre costs, in land, labour and materials. This is why homes across the world are smaller in city centres than on their fringes or rurally. People opt for location over size or other features like orientation. But what happens when that choice is taken away from them? This is the situation now facing Dublin’s residents since Dublin City Council (DCC) introduced new standards for developments in 2008. They exceed those that apply in the rest of the country, introduced by the Department of the Environment (DoE) in 2007 and bringing Ireland into line with our European peers. And they are standards councillors are vigorously defending, typically appealing to an argument along the lines of “we don’t want people living in shoeboxes”. At its heart, the new standards are an inversion of logic. The one place where smaller sizes can be justified due to the benefits of location, such as access to jobs or a wide array of consumption services, is the one place where new units have to be at least one quarter bigger than anywhere else in the country. If 50-square-metres is good enough for the citizens of Cork, Copenhagen or Cologne, why in Dublin is it a shoebox? In addition to forcing new units to be a minimum of one quarter bigger than elsewhere in Ireland, all apartments must come with a basement car-parking space, a lift and a stairwell shared with no more than one other unit, and dual aspect. Where dual aspect is not possible, DCC will not consider any north-facing apartments. Each of these makes sense in a world where basement car parks, lifts and extra space are free. But as soon as you accept that each of these things costs money, what you are doing is effectively discriminating against lower-income households. Whereas those on higher incomes can choose between older or newer dwellings, the prohibitive cost of building new units means that rents of new builds will be far beyond the means of those on below-average incomes. To see how DCC’s guidelines are anti-poor, let’s walk through the maths of building a unit in Dublin city. If we wanted to build a two-bed unit in Dublin today, it would have to be at least 85 square metres. Given Irish local authorities’ disdain for tall buildings, this means that the cost of any given site has to be split across a smaller number of units than would other be the case. So where an acre costs €7.5m, instead of a 76-square -metre unit costing roughly €100,000 in land, the 85sqm unit costs over €110,000 each. The requirement for a basement car-parking space per unit – rather than for every four units, where central or close to urban rail, as is standard elsewhere – imposes a per unit cost of €20,000, rather than €5,000. Similarly, the requirement for a lift for every two units, rather than every ten, not only adds huge extra costs but also reduces the amount of space left for units. Together with the size requirements, the lift/stair requirements add nearly €50,000 to the construction costs of a two-bedroom unit. On top of this are added the costs of finance and development levies. All told, these supplemental regulations, above and beyond the DoE’s well thought-out standards applied in 2007, raise the development cost of a two-bedroom unit from roughly €265,000 to €350,000. It is at this point that the developer’s profit is added in, typically a margin of 15%. (Thus an irony of these regulations is that, where viable, these new regulations mean greater per-unit profits in euro terms for developers!) Whereas 15% of €265,000 is €40,000, the same margin applied to the higher amount is over €50,000. So the final price, which includes VAT, of a two-bedroom unit in Dublin is currently €460,000, as opposed to €345,000 if the standards that apply elsewhere in Ireland applied in central Dublin. Translating this into the monthly rent required for a two-bed to be viable for an investor to buy (at a 6% yield) and thus for a developer to build in the first place, the rent for a Dublin two-bed would need to be €2,750 per month. Under DOE standards, the rent would need to be €2,050. Rents for two-beds in Dublin currently range from €1,150 in Dublin 9 to €1,650 in Dublin 4. What sort of income would you need to have to pay €2,750 a month on your rent? Accepted financial wisdom is that the highest fraction of your income to spend on housing that is sustainable is 35% of your disposable monthly income. A professional couple earning €120,000 gross per annum should not be spending more than €2,250 on housing costs per month. To afford a DCC-standard two-bedroom apartment, with its two balconies, its lift and basement car parking space, you would need to be earning €140,000 a year. Is it any wonder that nothing has been built in Dublin in the last few years? DCC’s regulations are effectively turning Dublin – or certainly its new developments – into an enclave for the wealthy. This is not to argue for a second that Dublin needs to allow shoddy construction and miserable accommodation. Far from it. There has been excellent value-creating regulation introduced in Ireland in recent years, including the focus on energy efficiency, while standards for things like green space and build quality all enhance quality of life and thus the value of a unit. The problem is that, in the rush to prevent another

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    The oddness of pod.

    By Gerard Cunningham. The runaway success of ‘Serial’, the podcast from ‘This American Life’ producer Sarah Koenig documenting a 15-year-old murder case, has energised scrutiny of the format as a way for news outlets to attract audiences. ‘Serial’ is simply the most successful of a number of professionally produced podcasts, and it is no surprise that it comes from a public-radio background. Its parent show, ‘This American Life’, has already established itself as a podcasting hit, as have many other shows from the National Public Radio (NPR) stable, such as ‘99% Invisible’ and ‘Snap Judgment’. On the face of it, there would seem to be fewer prospects for Irish news outlets hoping to get into podcasting. Despite a high-power campaign beforehand, the first ‘Flannery Files’ attracted an appropriately embarrassing response, with barely 600 downloads in the first week. A softball blueshirt-on-blueshirt interview was always unlikely to ignite the popular imagination in 2014, despite the compere being soccer’s Bill O’Herlihy. Podcasting has long moved from the amateur-enthusiast stage in the US. ‘99% Invisible’, for example, began as a ‘garage’ podcast, and is now broadcast. But it is still in its low-key infancy in Ireland. RTÉ places some of its content online, but although for example the ‘Documentary On One’ app contains the world’s largest archive of documentaries, the RTé Player app can be clunky to use. Most newspapers have barely engaged with podcasting. An exception is the Irish Times, which has put a major effort into several shows, covering politics, business, arts and culture. One show however stands out from the crowd. ‘Second Captains’, from the team who presented ‘Off The Ball’ on Newstalk, before they were dismissed for having the temerity to ask for greater resources, regularly pulls audiences of 20-30,000 listeners for its unique gloss on sport. This compares to figures for the other Irish Times podcasts of roughly between one tenth and one fifth of that figure. Although numbers for downloads from iTunes and Stitcher are not available, they show a similar pattern, with ‘Second Captains’ outperforming all the other podcasts combined. To put those numbers in context, proportionate to population it means ‘Second Captains’ is doing as well in Irish markets as ‘Serial’ is in the US – a remarkable achievement. The quirky humour of ‘Second Captains’ led by the likes of former Village writer, polymath Ken Early, has always made it stand out of from the crowd. The show also benefits from having an established legacy audience from its time as a broadcast programme on Newstalk. Indeed it now offers a TV version on RTé 2. By contrast the other Irish Times offerings sound like radio as usual, comprising panel discussions and one-on-one interviews. The newly released Irish Times app, which allows listeners to hear podcasts directly on smartphones, is likely to build this audience even more. Exploited properly, by offering options such as ‘Most Listened’ or ‘Editor’s Picks’, this could introduce audiences to other new shows. However, it would require shows that offer something scintillating or at least unusual. Packages taking a different approach to reporting could build on the same audience desire for something different that ‘Second Captains’ has so successfully exploited. Given the number of independent producers and freelance journalists experimenting with audio, an imaginative Irish Times could do worse than set aside a budget to incubate and develop such new ideas. For now, funding for such projects is reliant on advertising, sponsorship and listener subscriptions, using models such as crowdfunding, donation requests or paywalls. And while the Broadcasting Authority of Ireland (BAI) does fund independent production, the Sound+Vision fund steers away from news/current affairs to focus on documentary and fiction, and is limited by the Broadcasting Act to works transmitted over the air. This seems unlikely to change anytime soon, with reforms on television licensing now long-fingered. The upside of an absence of this funding however, is that podcasters are freed from the restrictions imposed by BAI regulation, on broadcasters, although they remain subject to the Press Council code of practice. Lyra McKee, a Belfast-based freelance journalist recently crowdfunded a book on the murder of UPP MP Robert Bradford. Her pitch, publishing one chapter of the book online at a time as her investigation progressed, both mirrored and predated the ‘Serial’ model. “With the Bradford book, I was researching and writing a distinctly Northern Irish story yet it attracted readers from all over the world, as far away as South Africa”, says McKee. “I think we need to stop thinking in terms of geographical markets when it comes to media content. Podcasting in many ways  is just another way of telling a story and if you’re good at telling stories, borders become irrelevant because the Internet is a borderless territory. The Irish – North and South – also have the advantage of having a huge diaspora who want to find ways to connect with ‘home’”. She’s a persuasive advocate for the genre. “Advertising and sponsorship is certainly one revenue stream; I think we’ll also see reader-funding/pledges becoming much more popular too. You don’t need a huge market to make it work, you just need a core group of really passionate fans. You may have only 300 fans who absolutely love what you do but if they love it so much they’re willing to donate €10 a month, say, then you have a means of making a living. The problem to date hasn’t been that people won’t pay for this stuff; it’s that we haven’t given them anything worth paying for. Take the example of ‘Serial’ – they’re asking for donations this week. Am I going to donate? Absolutely. Each episode of the podcast has left me on the edge of my seat. They’ve given me an experience worth paying for. They’ve turned me into an evangelist – I’ve been telling everyone I know to listen to it – by creating something really good. It’s a fundamental principle underpinning the ‘How do we get people to pay for content?’ debate yet it

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    Interview with National Gallery’s Sean Rainbird.

    By Rónán Lynch. Sean Rainbird grew up in Hong Kong, studied history of art at University College London, joined the Tate where he spent 20 years as a curator of modern and contemporary art before being invited to lead the Staatsgalerie Stuttgart in 2006. He was initially surprised at an invitation into the intensely hierarchical world of German museums, but was delighted at the breadth of the collection. “It had 5,000 to 6,000 works of art and sculpture and some very important archives such as the Sohm archive of the informal interdisciplinary art of the 1960s and 1970s, and ‘happenings, concrete poetry and fluxes’: an absolutely sensational collection”, he says. However, the Staatsgalerie was also plagued with personnel and organisational problems that had built up over several years. “There were a lot of strong personalities who didn’t feel that they should take instruction from anyone, and on occasions they didn’t recognise any authority – me, the ministry, or God”. When Rainbird arrived in Stuttgart  the gallery was changing fast, and his job was to manage shrinking public-service budgets while overseeing a major refurbishment programme. Only 15 rooms were available to show art when he arrived. “That grew over an 18-month period to 50 or 60 galleries, and at each opening we re-hung the entire collection chronologically, which had never been done before. The chronological discussion was to bring all the curators around the table, which again had never really been done in Stuttgart. It was trying to get a bit better teamworking but also to conceive of the institution not as sections in a curator’s head, but as a visitor experience, that people can actually come in and see some kind of direction or, or at least to encounter a curatorial argument that they agree with or disagree with, or like or dislike, but actually grapple with”. Stuttgart turned out to be a good preparation for the National Gallery of Ireland. “The biggest challenge at the National Gallery has been dealing with the effects of austerity politics and the severity of the cuts. The impact of Department of Public Expenditure and Reform (DPER)-led shrinking of the public sector has ended up being a very effective instrument on one hand but an exceedingly blunt instrument on the other hand, and at times it’s definitely curtailed our ability to run the gallery as well as it could be run. One of the things that appears to me to have happened is that the crisis has led some people at the centre to pull more power and influence back towards the centre than perhaps is necessary”. Rainbird arrived to a chorus of promises from the new government to abolish quangos and rationalise services. “Museums are not NGOs or quangos, and there has never been a really strong logic behind sharing services”, says Rainbird. “I think you need a lot of analysis and discussion before you make those steps. I would say that IMMA, Crawford and ourselves were quite confident in bringing counter-arguments, and I would say that we decided to make it a very proactive discussion. In these lean years there has been a lot of discussions between the cultural institutions and a huge amount of exchange of experience about how to get through difficult times”. “I’ve seen my colleagues give a huge amount of support and information to their colleagues – of course also to me and to our board – to define how we look forward from the current phase of refurbishment to what happens next. There are things that you could say sit behind how you present art to the public and are very central to the running of institutions, and how those institutions relate to one another. So we still need to address, for example, storage, collections-care and collections-management, conservation, and access to libraries and archives”. The MDP (master development plan) for the gallery covers several consecutive refurbishment projects that will run for more than a decade. The first phase was the Dargan roof, which finished in 2011 and the second phase should be complete by early 2016. “That’s half way through the MDP. The current phases have been backstopped by a very particular discussion between ourselves, our department and DPER, which led DPER to provide some backstop funding that enabled the whole thing to go ahead, in the amount of around €32 million. That gives us the energy centre under the front lawn, 8 metres deep, which will power the new ventilation system. So you’ll be in an old building but with new services”. Rainbird says that the current refurbishment was “beyond necessary” as the gallery used to be far too cold at various points of the year and far too hot at others. “It led to works of art being in conditions which led to mould” and things of that kind. The conditions weren’t of international standard”.  He believes the changes will make the gallery a more human space. “We’ll open up some windows that have been covered up over the decades. We will have a glazed inner courtyard between the Dargan and Milltown wings so you’ll have a new entry and a great feeling of new things”. The gallery has 11 to 13 galleries open out of the entire complement of 60-plus but is maintaining visitor numbers between around 600,000 and 650,000 per annum. “I do see a great logic for investment in cultural institutions because we generate huge numbers of tourists coming to Ireland”, says Rainbird. He feels, however, that there may never be a return to previous levels of state funding, requiring the gallery to develop its own long-term fundraising strategies. “We’ve been cut over 40 per cent in the last five years along with the rest of the sector. It’s a larger cut for the arts than it’s been for other sectors and ministries. Because we are relatively small, people may think that it doesn’t make much difference or that we don’t deserve the funding because we are not essential for life

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    Stereotypes underpin abuse.

    By Ivana Bacik. A poignant vigil was held outside Leinster House to mark the start of Women’s Aid’s ‘16 days of action against domestic violence’. The empty shoes of the 78 women murdered in Ireland by their partners or ex-partners since 1996, and the ten children murdered alongside their mothers, were lined up along Kildare Street. We stood silently alongside, to remember and commemorate the tragedies of those lost lives. The seriousness, frequency and pervasiveness of the violence labelled ‘domestic’ is often played down or denied. It is all too often explained away by external factors such as alcoholism or unemployment. It is often wrongly regarded as being particular to disadvantaged communities. It is sometimes portrayed as a reaction to provocation from the victim. Even where victims are not directly blamed for provoking the violence, they are often regarded as complicit in it because they stay with their abusers. Research has contradicted these problematic myths and shown that domestic violence is not a rare or isolated event within otherwise happy families. It has found that apparently ‘passive partners’, who stay with their abuser and endure violence against themselves and their children, may have undergone serious personality changes as a result of the abuse. Many may have nowhere else to go. An increasingly vocal group of activists has in recent years challenged the evidence that most domestic violence is carried out by men against women. Research has established that women make up the vast majority of victims of domestic abuse. The 2005 National Crime Council report, for instance, found that about one in seven women, compared to about one in 16 men, have experienced severely abusive behaviour of a physical, sexual or emotional nature from a partner at some point in their lives. The study found that women were nearly twice as likely as men to require medical treatment for their injuries and ten times more likely to require a hospital stay. The inadequacies of legal responses to domestic violence were highlighted by interviewees in this report and have been emphasised in other research. High attrition levels and low conviction rates back up these perceptions of legal inadequacy. A core problem with the criminal law is that few acts of domestic violence are isolated events. The criminal law is generally designed to deal with once-off incidents, and to attribute liability for those isolated events to particular offenders. It can be difficult to apply it in the context of an ongoing abusive relationship. It is actually difficult to ascertain how effective the criminal law is, given the well-established evidence that most domestic violence goes unreported. This year, during hearings into domestic and sexual violence conducted by the Oireachtas Justice and Equality Committee, we heard extensive evidence about these issues. In October, we published our report, recommending significant legal change, for example to provide for a specific criminal offence of ‘domestic violence’ or ‘domestic abuse’. Currently, abusers are prosecuted under assault laws, or for breaches of barring orders. We recommended the need for emergency barring orders, so that the abuser and not the injured party should be required to leave the family home. We called for the establishment of a ‘domestic violence register’ to catalogue details of convicted abusers. Comprehensive review of the law on domestic violence is long promised. We are hopeful that our recommendations will feed into codifying legislation that we anticipate will be brought forward in 2015. Susan Edwards, a leading researcher in domestic violence law in Britain, wrote nearly 20 years ago that: “Domestic violence until the 1970s was regarded as a rare phenomenon. Criminal law was rarely, if ever, invoked to prosecute aggressors. A far wider range of remedies is now available. But stereotypical attitudes and expectations of woman and men persist, these inform the law and militate against the justice and protection victims receive. The law, whilst it makes claims to offer remedies and protection to victims, is replete with obstacles and difficulties for the applicant or complainant seeking safety and protection”. These words still have resonance in Ireland today for victims and survivors of so-called ‘domestic’ and other forms of gender-based violence. •

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    The IT Gang.

    By Kevin Kiely. Here is another cliché for upwardly mobile Irish writers: struggling, but not to the point of discomfort, in your career as civil servant, journalist or whatever, you get a foothold through publication in a second-rate Irish journal or newspaper, make a few literary friends, and eventually get a publisher for your book about homosexuality in Wexford, the 1798 rebellion, family breakdown or whatever. You embrace a right-on, left-liberal, anti-Church/Civil-War-Party attitude in politics.  You get favourably reviewed in the Irish press for your shiny modern politics and  avoid analysis of your plot or especially your prose; somehow an Ireland-friendly writer picks you up for favourable review in the Ireland-friendly Guardian; marhalling all this your agent gets you reviewed by a usual-suspect Irish author in the New York press or academic journals. And suddenly you’ve won the Man Booker/Impac or American National Book award. France has made you a Chevalier des Arts et Lettres. Although you write in English at least you’re not American or English, they think, and actually that’s the only reason you’re there. But back in Ireland they’re speaking of you in the same sentences as Yeats. Joyce and Beckett. Though really you’re more Maeve Binchy. And you’ve never had to stop off to realise just how contrived the  conveyor belt that took you to a forgettable international celebrity was. With the baubly imprimaturs over your desk, in your free time you can work on your jowls, a literary residency and churning out over-generous reviews of the works of those who got you where you are, and their predictable successors. Fintan O’Toole, Colm Tóibín, Roy Foster, Diarmaid Ferriter,  Joseph O’Connor are princes at Ireland’s tentacular literary court. Elevated, mostly peripatetic eminences, they reach to the national consciousness, the  national conscience, and beyond. The Irish Times is the arch facilitator of an unsavoury epochal orgy of niceness and respect for  and among these personages. O’Toole as Literary Editor at the Irish Times is the brain of the great revisionist octopus– in succession to John Banville whose role was indistinguishable. Outliers good for some fraternal (funny that) laudation are Roddy Doyle, Colum McCann, Frank McCourt, Joe Lee and Terry Eagleton. The last four  are gratifyingly offshore and open easy ‘entrées’ for international pick-up. The Irish Times will adulate as marvellous, wonderful and masterful (masterful, ideally) the literary fruits of these historico-literal buddies, even if they turn out books on travel, cookery or gardening. The prose in the reviews rarely scintillates or elevates. The jalopy for the boosterism is ‘review-as-blurb’. Superlative-dripping blurbs are product placements for intellectuals, with quiescent publishing houses the more mercenary beneficiaries. There is of course an ideological underpinning to the brotherhood.  You must have adopted the idea that (per Ferriter in 2012, O’Connor when on the radio, and O’Toole passim) the state is not just economically but…morally bankrupt. You must invest the sentiment every time you lead it out with a sense that this is an original epiphany. You will like Europe and be sceptical though certainly au fait with the United States. Antipathy to England (or indeed the English) is out. You, dear reader, if you want to rise to a new literary station can play the game at home, on your typewriter. Roy Foster is perhaps the most coruscatingly tribal (or more properly anti-tribal) of the cabal. Professor Foster effects a repressive historical revisionism in particular. So Brendan Bradshaw, Director of History Studies at Cambridge, for example  accuses him of a “natural anti-Irish bias”. Amplifying suspicions that Foster elevates ‘the Ascendancy mind’ over that of the common or garden Celt, in ‘Modern Ireland 1600-1972’, the Young Ireland Movement as defined by him had “an insurrectionary ethic founded in an almost psychotic Anglophobia”. And for Foster the revolutionaries of 1916 are rebels with “atavistic Anglophobia” (as opposed to the “atavistic Anglophilia” of others). Ramming it home, he castigates the Irish as part of  “a competitive victimhood in the history of colonised nations”. This is wilfully cruel. Foster’s history is best digested in Oxford with tea and cake as the punts flow past with their enviable youthful cargos. None of the gang looks into the unreconstructed Irish soul with much sympathy. Tóibín has written sympathetically of Banville’s 1973 novel ‘Birchwood’: “Here, Irish history was an enormous joke, a baroque narrative full of crack-pot landlords and roaming peasants and an abiding sense of menace and decay”. Tóibín (who co-wrote ‘The Irish Famine’ with Ferriter) shares Foster’s magnificently patronising revisionism on  the Famine and the 1916 revolutionary tradition. For example, as Foster sees it, during the Famine, landlordism was “seen as to blame for the catastrophe by many – illogically, but understandably”. If you ever subvert anyone else in the fraternity you risk banishment (the Weekend Review in the Irish Independent?) and there is also as with any gang a need to keep other boys out. John Waters is of course not in; nor is Tim Pat Coogan. Desmond Fennell: out. A particular antipathy envelops Seamus Deane (famous Seamus was of course the revered preference). Poor Fiach MacConghail, Director of the Abbey Theatre was outmanoeuvred by a lethal axis of Foster who took part in a review of the oeuvre of the theatre teeing up a sniffy O’Toole to report it and castigate the vacuous standards there, in the Irish Times. Sinn Féin and Fianna Fáil are nasties. The Catholic Church monstrous. Protestantism is OK, Labour is better, the Irish Times ideal. Whether history will be kind to this exclusionary perspective is another matter. Though largely genteel, they are not beyond occasional deterrent salvos of street-fighting. So Diarmaid Ferriter lashed out at fellow De Valera biographers Tim Pat Coogan and Anthony Jordan when his own pictorial book, ‘Judging Dev’, was questioned by them: “Mr Coogan wrote two critical reviews of the ‘Judging Dev’ book which, in my view, were fuelled by his personal antipathy to de Valera and because my book dared to challenge the conclusions of his own biography of de Valera. Mr Jordan, as

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    WICKlow standards.

    By Frank Connolly. Pressure is mounting on the environment minister, Alan Kelly, to carry out a thorough investigation into the administration of local government in Wicklow following the mysterious disappearance, in early September, from his in-tray of a file containing fresh allegations over zoning and planning matters, and the illegal dumping of waste, in the county. Beleaguered Council management are busy fighting a rearguard action against a number of Councillors and local and national media outlets, including Village, which have highlighted a range of embarrassing issues which require further investigation. The call, first reported in Village in September, by junior finance minister and Wicklow TD, Simon Harris for an inquiry into “the administration of local government” in his home county has been followed by a series of fresh allegations of official wrong-doing over the past two decades. The litany of complaints include the manner in which senior county officials and some Councillors facilitated the huge Charlesland housing development by Nama poster boys, Sean Dunne and Sean Mulryan, in Greystones in the early 2000s. In particular, fresh questions have been posed to the minister over the controversial compulsory land acquisition of lands at Three Trout Stream close to the 1,500 residential scheme in late 2003 which the management said was for social housing but which landowners and others believed was intended to help with road access to an undeveloped site at Charlesland. Councillors critical of the €3 million purchase of the three-acre site also point to its unsuitability for housing as the land is on a flood plain. The missing file also raises serious questions about a €27 million road contract agreed between the Council and Zapi, the company formed by Dunne and Mulryan, in July 2003, in which senior officials agreed to use their powers to use compulsory purchase orders to acquire lands required for the scheme and a planned €1.5 million retail development. That the key figure behind the claims is a prominent auctioneer who acted for Dunne and Mulryan before falling out with the latter over €4 million he claims he is owed, and a former Fianna Fáil activist and fundraiser makes them all the more potentially explosive. Whistleblower Gabriel Dooley, as reported in Village in June, has written an extensive letter containing serious allegations concerning senior officials and some Councillors to the elected members of Wicklow County Council and has been met with a wall of silence from those whom he has implicated in some serious allegations. The missing file also included references to the extraordinary role played by the Council in the long running controversy over the dumping of over a million tonnes of commercial, domestic and medical waste at various sites in west Wicklow. It refers to an alleged conflict of interest involving an ‘Authorised Officer’ of the Council who set up his own company to remediate one of the largest illegal waste sites at Whitestown in west Wicklow and to cash in on a potential €25 million from the clean-up. A High Court action in 2009 heard that the authorised officer and environmental consultant, Donal O’Laoire, had discussed his effort to set up the consortium with County Manager Eddie Sheehy and Head of Services, Michael Nicholson, before the venture collapsed when the landowner refused to sell or lease him the Whitestown land. The action was suddenly halted in late 2011 just as pretty sensational claims were about to be made by lawyers acting for the so called illegal dumpers including details of how the Council itself was involved in the illicit waste disposal activity. The case was taken initially by Council management against a number of alleged dumpers from whom it was seeking damages which could pay the multi-million costs of remediation. The indefinite adjournment of the action followed an intervention in November 2011 by the Department of the Environment which intervened at the eleventh hour with a promise to underwrite the clean-up costs estimated during the case at between €25 and €50 million. The new minister must decide whether to set up an inquiry into the mess in Wicklow including this decision to intervene in the court action which was made by senior officials of his department and his immediate predecessor and newly installed EU commissioner, Phil Hogan. He will also discover that it is not the first time a sensitive file has gone missing from the Department as was pointed out by former Ombudsman, Emily O’Reilly (now also ensconced in Europe),who was probing how the copy of a licence for illegal waste disposal at another site in Ballybeg in west Wicklow went awol from the department some years ago. Kelly’s problem is that he may have to ask some awkward questions of some of his senior officials concerning their apparently close relationship with senior Council management over the years. •

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    Pluralism includes acceptance of other people’s irreverence.

    By Mark McGovern After the terrorist attacks that killed 12 people at Charlie Hebdo’s offices, and four innocent people in a kosher supermarket in early January, it suddenly seemed that everyone was Charlie: all the world’s leaders were Charlie, Enda Kenny was Charlie, Israel’s Benjamin Netanyahu, Hungary’s Viktor Orbán and Queen Elizabeth II were Charlie. All the celebrities in Hollywood and George Clooney were Charlie. The French police who had long been savagely caricatured by the satirical newspaper were applauded at the Je Suis Charlie march, and the bells of Notre Dame tolled in homage to France’s most notoriously irreligious newspaper. One organ that was self-consciously not Charlie was Ireland’s Phoenix magazine, whose editor, Paddy Prendeville, actually signed an editorial headed “Je ne suis pas Charlie”. A minimum of humanity as well as a mature politics dictate that, while few want to be totally Charlie, it is quite wrong not to be willing to be seen as Charlie at all. While clearly many Muslims are offended by Charlie Hebdo’s brand of vitriolic satire, it is important to point out that the weekly is not racist, anti-Muslim or anti-Palestinian, but an anti-clerical newspaper in a country where blasphemy had been off the statute books since 1789, which presents left-wing political content in the most outrageous possible manner. This fact is borne out not only by Charlie Hebdo’s commitment to defending the rights of France’s immigrants, many of whom are Muslim, but also by the numerous legal cases that have been filed against it over the last two decades. Since it resumed publication in the 1990s, Charlie Hebdo has been sued 48 times: 12 times by its archenemies in the far-right Front National, eight times by Catholic associations and only six times by Muslim ones. Questioned about the newspaper’s insistence on poking fun at religion, Charlie Hebdo’s new editor Gérard Biard told NBC: “…every time that we draw a cartoon of a prophet, every time we draw a cartoon of God, we defend freedom of religion. We declare that God must not be a political or public figure […] Religion should not be a political argument. If faith, if religious arguments step into the political arena, they become totalitarian arguments. Secularism protects us from this. Secularism guarantees democracy and ensures peace”. While most of the political leaders who attended the 11 January march in Paris would find common ground with Charlie Hebdo’s bid to defend secularism, the same cannot be said for the extreme content of the newspaper’s drawings. Humour does not travel well; and taken out of the context of the newspaper’s politics, jokes about Islamist political parties and Islamic terrorism, blasphemous jokes but jokes nonetheless, can be perceived as racist slurs. Parallels have been drawn with the depictions of Irish peasantry in centuries old Punch cartoons: though there are no grounds to suggest that Charlie was colonialist. Ironically, in many parts of the world where there is no clear distinction between media and government, a publication that appealed to less than one per cent of the French readers is now being seen as the official voice of France: quite a feat for a newspaper that publishes cartoons of some of the country’s most prominent politicians engaging in sexual acts. Worse still, this perception has led to attacks on French cultural centres, death threats to French nationals and even more paradoxically, given the newspaper’s standpoint on religion, to attacks on Christian churches. As it stands, no date has been set for the next issue of Charlie Hebdo. According to the  newspaper’s communications manager, the editorial staff who are worn out by mourning and fatigue will need some time before they can produce another newspaper. However, editor Gérard Biard has insisted that publication will continue. In the wake of the brutal massacres in Paris, the 14 January issue of the weekly, which usually has a print run of 50,000, sold seven million copies. This is major change for a newspaper that had no ambitions to enter the mainstream. Added to the difficulty of scrutiny from this new and questioning readership, there is the blaze of attention from the world’s media and the certain knowledge that whatever Charlie Hebdo publishes may be appropriated to generate sectarian conflict, which it does not seek to promote. Now that people are dying in lynchings in Niger, Charlie’s principled stance for absolute freedom of speech along with absolute freedom to present political argument in any manner it sees fit may have to be reconsidered. There is no reason why a cartoon should result in anything worse than a court case, but sadly what pertains in France does not necessarily apply in the rest of the world. And the world is waiting for the next issue of Charlie Hebdo. • Mark McGovern is a journalist and translator living in Paris.  

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    Shutting up shop: the EU and the environment.

    By Tony Lowes. In last month’s Village James Nix outlined the – surprising to most – ways it is proposed to downgrade the environment in the new scheme of Commission Directorates and portfolios. But this overt change is less surprising when you consider the way the Commission has downgraded its enforcement of environment law over the last five years. The European Union cannot achieve its policy goals if environmental law is not applied effectively on the ground. While member states are primarily responsible for implementing EU law, the Commission’s duties as guardian of the EU Treaties include the responsibility to ensure the member states comply with the law, demanding – when necessary – resort to formal legal proceedings. Since the introduction of a new mechanism of complaint-handling by the European Commission in 2009, however, the formal infringement proceedings that once ensured (slow) progress of justice have been replaced by a system that has no basis in European law, offers no transparency to complainants or the public, and is settled in private between Commission officials and the offending member states representatives without ever reaching open court. It certainly amounts to an anti-democratic, anti-transparency move away from the personal rights of complainants to closed-door resolution of their complaints. It downgrades the rights of citizens in relation to the EU and national-government blocs. The Commission’s astonishing achievements in Ireland in beginning the end to rampant illegal dumping, kick-starting the clean up of our waste system, advancing water-quality and effluent control, designating 13% of the country for our shared EU role in protecting European biodiversity, ensuring major projects are (well, mostly) assessed for their impact before they were built, in even ending indiscriminate salmon drift net fishing at sea – all of these came from individual complaints from Ireland’s residents pursued systematically and formally by the Environmental Directorate’s Compliance Division. In the waste case (2005) alone, 13 separate complainants, all unknown to each other, had written to the Commission begging for the 1977 Waste Directive to save them from poisoned water, unbreathable air, and infestations of rats. Minister for the Environment Phil Hogan paid an indirect compliment to the Commission in the Dáil this March when patting himself on the back for reducing the number of infringement complaints from the 21 he had inherited to 7. He listed the diverse areas of the environment that the Commission has relentlessly pursued over the past decade: “In reducing the number of infringements, my Department has addressed compliance issues through, inter alia, a range of primary and secondary legislation across the broad spectrum of environmental areas such as water services, air quality, waste, energy performance in buildings and planning, as well as targeted measures to provide for consistent and transparent implementation of these legislative provisions” Sceptics will be quick to point to lacunae in transposition, implementation and particularly enforcement, but even the most critical would admit that Ireland’s environment would be unrecognisably worse today without this history of litigation. But the new system – called PILOT – has effectively brought an end to a decade of progress. Even in the promotional literature that the Commission provides it is clear what the PILOT system intended. Heralded as ‘A Europe of Results – Applying Community Law’ in 2007, the 2011 review puts it succinctly. PILOT is intended to “correct problems related to Member State compliance with EU law at an early stage by finding out-of-court settlements through the establishment of a partnership relationship between the European Commission and Member States”. The Commission’s 2013 Internal Market Scoreboard credited the introduction of PILOT for  a dramatic reduction of infringement proceedings across the EU, ranging from 25% for Greece, 38% for Spain, 37% for Italy, to 49% for Belgium. In fact, one of the first Irish PILOT cases was over the impact of farmed salmon on protected wild stocks. Opening in 2009, it was closed in 2012 but reopened when documents released under Access to Information showed that the Minister for Agriculture had denied holding and not provided one of the ‘express views’ sought in the original PILOT request – a Report from Inland Fisheries Ireland [IFI] on salmon farming’s impact on wild fish that in fact devastated the Department of Agriculture’s benign position. The file showed that after repeated written concerns the Commission had not received the “full Irish position on these matters”, Liam Cashman, the longstanding acting Head of the Compliance Unit, finally telephoned the EU Secretariat in the Department of Foreign Affairs in September 2010 and told them that unless the IFI Report was received, the Commission would have to “reserve the right to move the case to infringement proceedings”. The result was Cashman’s transfer out of the unit, a move that shocked many and left the Unit without the unparalleled professional skill that had led them to over a decade of successful ECJ proceedings that changed EU and national (including Irish) law and practice. A subsequent Irish Ombudsman’s investigation into why the Department had denied holding, and failed to pass on, these ‘express views’ found that the process is “quite informal and operates on a partnership basis between the Commission and Member States”. Ireland’s ‘Lead Department’, the sole voice allowed to enter responses in the on-line PILOT system, was the Department of Agriculture, whose agencies license and  promote fish farming – the subject of the complaint. IFI’s role is subsidiary  to that of the Minister for Communications and Natural Resources.  Though charged with protecting wild fish, it could not directly communicate their views to the Commission. Ireland’s Ombudsman accepted the Agriculture Department’s position that the IFI report would have had a “disastrous effect on Ireland’s reputation, containing serious inaccuracies, omissions of relevant facts, and misleading commentary”. In fact the Ombudsman praised the Department over its concern for Ireland’s reputation: “It cannot knowingly allow a Report that is inaccurate to be furnished to the Commission”. Since it had told the complainant that that “we did not consider any of the reports pertinent to sea lice because they did

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