As the French courts prepare to prosecute Ian Bailey in absentia, there is growing speculation that gardaí targeted him for the murder of Sophie Toscan du Plantier in order to protect the real suspect. The skies were still dark over the West Cork countryside when Martin O’Sullivan set off from his home in Goleen on a crisp morning two days before Christmas. It was just after 7.30am as he made his way to work along the quiet road to Durrus passing a winding boreen that leads to the white-washed home of Sophie Toscan du Plantier. As he drove north towards Bantry, leaving the French filmmaker’s secluded farmhouse behind, a blue Ford shot up behind him at high speed. O’Sullivan was forced to slam on the brakes as the car overtook him on a dangerous bend and nearly ran him off the road. He noticed its headlights were on and the rear number plate was red. He believed it was a Fiesta. Several hours later, shock and sadness replaced the festive mood throughout Ireland as news filtered through that the 39-year-old mother of one had been found murdered on the laneway leading to her holiday home overlooking the Atlantic in Toormore, Schull. It was December 23, 1996. Du Plantier was found in a blood-soaked T-shirt, white leggings and a pair of laced-up boots. She had been bludgeoned to death with a rock and a concrete block. She put up a considerable fight but sustained more than 50 injuries to her head, face and body in the attack and was left almost unrecognisable. She had lacerations on her hands and arms. The then State pathologist John Harbison also believed she had been kicked or held down by the neck and wrist with a ‘Doc Marten’ boot, whose prints were also found on the laneway near her remains. In the days that followed, Martin O’Sullivan gave a statement to gardaí about the suspicious car he had seen, telling them he was fairly certain it was not from the immediate locality. It was a critical sighting that occurred close to the time and location of the murder and could hold the key to unlocking the case. O’Sullivan expected gardaí to carry out an appeal asking for the public’s help in identifying the driver but they never did; nor did they perform door-to-door inquiries in the locality where the suspicious car had been seen. Why was this? Did they have a motive in protecting the identity of the driver? It is just one of the countless unsettling incongruences in an investigation which many people in Cork and across Ireland now believe was mangled not by accident but by design. There is a growing sense that the persecution of English journalist Ian Bailey (61) by the gardaí, which has endured for 22 years and continues to this day, may have been motivated by something more sinister than the need to find a suspect to satisfy her family and the authorities in France. Speculation is rife that gardaí targeted Bailey because they already knew who the real killer was and were protecting him. Allegations have emerged that a senior member of the force may have been responsible for Sophie Toscan du Plantier’s death. The officer at the centre of these claims, who is now deceased, was a notoriously violent person and a sexual predator infamous for having affairs with women, particularly foreigners. A married man who was strikingly handsome, he was a rampant alcoholic who is described as having abused his power whenever he could. One local portrayed him as being “crooked as a ram’s horn”. He was known for rustling cattle and sheep from farmers who had committed minor offences and he was in a position to blackmail. He also drove a blue Ford car. It is believed the officer may have come into contact with du Plantier because of her fears about drug-dealing in the countryside close to her. Some in the area claim he had a sexual encounter with the French woman, whose love-life was complicated and fraught, but that he was subsequently rejected by her. The violent nature of the killing has always been indicative of a ‘crime of passion’ carried out by a scorned lover. The garda at the centre of these allegations was not involved in the investigation. On his deathbed, he was said to be a profoundly disturbed man. The shocking allegations against him however remain unproven. From the very start of their investigation, gardaí were keen to control the narrative of what might have happened to the French woman. For some reason, they dismissed suggestions that she had a guest in her home in the hours before the murder, rejecting rumours that two rinsed wine glasses had been found beside her kitchen sink. In his book about the case called ‘Death in December’, Michael Sheridan said the wine glass story was a myth. He was assisted in his research by the gardaí. But images from the crime scene disproved this claim and two wine glasses were indeed found draining in the kitchen. More suspicious still was the fact that no fingerprints were found on the glasses – at least according to gardaí. Apart from their relentless targeting of Bailey, the destruction of vital evidence from the crime scene supports the theory that the investigation was deliberately botched. The baffling ‘loss’ of a five-bar blood-splashed iron gate from the entrance to du Plantier’s property has never been explained nor has anyone been disciplined for it. Did the gate disappear because there were blood and finger- prints belonging to the suspect on it? The gardaí have also never accounted for the ‘loss’ of witness statements and suspect files as well as of a document outlining why Bailey and his partner Jules Thomas were to be classified as suspects. A bottle of wine found at the crime scene is also believed to have disappeared as well as a small red hatchet kept inside the doorway of du Plantier’s home which her