Posted in:
Immationalism
March/April 2022 39Fine Gael commemorating Griffth and Collins at Glasnevin cemetery, 2016Fianna Fáil commemorating De Valera, Ennis 2021Sinn Féin commemorating Wolfe Tone, Bodenstown 2019All the nationalist parties misappropriate history, immaturelyImmationalismPOLITICSFianna Fáil and Fine Gael deny any historical analogy between their own party histories and the process which Sinn Féin/IRA are currently going through to make the transition from political violence to fully peaceful democracy; and Sinn Féin confuses the inspiration nationalists have drawn on from preceding generations of revolutionaries with institutional continuityTHE REPEATED vandalism of a necrology wall in Glasnevin Cemetery shows that Ireland has not avoided the paroxysms of iconoclasm that have tormented British and American cultural activists since 2020. There is an important diference in as much as the wall in Glas–nevin Cemetery was not a public monument. In a civilised society it should be reasonable to expect that a monument to the dead in a cemetery, of all places, might be exempt from such attempts to erase history.The listing of all those who died during the Irish War of Independence is proving contentious 100 years after the event. Ireland seems eager to move on from the event as quickly as possible. We adopted a new urban nomenclature to purge selected Irish place–names of their British associations: with Sackville Street being renamed O’Connell Street; Gloucester Street changing to Sean MacDermott Street; and King Street becoming MacCurtain Street. We also enacted a perfunc–tory programme of cultural defenestration for the most egregious representations of royal authority. However, very quickly, semiotic purity yielded to convenience and, rather than remove every ofensive symbol of the crown, it was simpler just to paint them green – think of the royal mono–grams on many surviving Victorian or Edwardian cast-iron post boxes.Unfortunately, such relaxed historical sensibilities were not, indeed could not be, reproduced in Northern Ireland. There, one literally cannot turn a corner without being confronted by contentious murals, fags or symbols that are as much intentionally ofensive as commemorative.Sadly, Glasnevin is only one of an increasing number of signs that the animus prevalent in such matters there is beginning to infect the use of his–tory in the Republic. As a result, in Ireland, the populist history is being misused increasingly for petty political gains with disastrous consequences for our national identity and social cohesion. When Professor Jane Ohlmeyer exercised her professional expertise and experience as a historian to explore the nature of the Irish experience of British imperialism, one hysterical key–board warrior felt her work amounted to an ofence under incitement to hatred legislation and should be investigated by the Garda as such. Simi–larly, the two measured and considered interventions that President Higgins By J Vivian Cooke 40March/April 2022made about Irish history this year were met with equally ludicrous overreac–tion and manufactured outrage. Clearly, there are large parts of the public which have no appetite to broaden their understanding of Irish history if that entails the slightest devia–tion from a pre-existing narrative from which they draw comfort. However, mature societies confront exactly those difcult parts of their history to allow themselves self-awareness. Time and again, we have seen recently that Ire–land continues to lack the necessary intellectual bravery to do this. Of course, in this we are not alone: one need only look at how French historians continue to struggle to account for their wartime collaboration or the Algerian War of Independence or indeed Britain’s perception of its role in World War II. The neglect of history as an academic discipline within our education system has allowed a populist form of history to take root. It is a variety of history that strays from the academic rigour demanded of professional his–torians and, even more worryingly, it leads to a misunderstanding of actual history itself. It is useful in this context to consider the diferent uses that can be made of the term ‘History’ as: actual history as things that happened in the past; academic history as the systematic study of things that hap–pened in the past and; populist history as collective memory of historical events and how those memories are reproduced through various cultural representations. Unfortunately, some populist history has become untethered from aca–demic and actual history. Populist history tends to be mesmerised by narrative arcs that can be sketched only by treating actual history as artif–cially discrete incidents, at the cost of ignoring important aspects of establishing context and arriving at balanced judgements. Each of the dif–ferent mediums of cultural representations through which populist history fnds expression imposes specifc sets of constraints on the capacity for nuance and the degree of accuracy it can achieve. Actual history has a dif–ferent relationship with a Hollywood historical blockbuster from that it has with a BBC documentary. Ron Chernow’s treatment of the life of Alexander Hamilton has a relationship with the actual history that is very diferent from that in the representation ofered by Lin-Manuel Miranda. Populist history has a legitimate function in creating common historical memories that act as shared points of culture that bind nations together. At its best, populist history can spark people’s interests in actual history or be an introduction to academic history, so that people can broaden and deepen their engagement. Sadly, too often, engagement arising from populist his–tory only results in the regurgitation of the half-digested gristle and bone of actual history. While delivering the 1961 George MacCaulay Trevelyan Lectures, E H Carr colourfully noted the selectivity of history: “(facts) are like fsh swimming about in a vast and sometimes inaccessible ocean; and what the historian catches will depend, partly on chance, but mainly on what part of the ocean he chooses to fsh in and what tackle he chooses to use – these two factors being, of course, determined by the kind of fsh he wants to catch. By and large, the historian will get the kind of facts he wants”.The essential skill of the historian is to sift through all the things that occurred in the past, most of which are trite, quotidian and insignifcant; to identify