VILLAGE IS about nothing if it isn’t giving space to whistleblowers. Reflecting this, the magazine has several times illustrated articles with a cartoon whistleblower, cheeks inflated to bursting, typically to no political avail. It’s a good image for the magazine in general, Village’s frustrated sympathy is nearly always with those prepared to blow and it remains confounded by official concealments. The success of the whistleblowers covered by Village in getting the recalcitrants held to account has been variable. George McLoughlin figured on the cover of the last edition of the magazine for his insider allegations that the Workplace Relations Commission is systemically biased against employees but there was no pick-up by other media or the body politic. Meanwhile he is enmired in a miasma of legal actions with his employer, itself the WRC, about its failure to renew its contract with him after his retirement. Village has gone nuts about diverted funding at the long-dysfunctional Irish Red Cross, about a heavyweight Ansbacher cover-up, about Jonathan Sugarman, about the abuse of its dominant position in the market by Ireland’s biggest company – CRH, about the illegal dumping of 10 million tyres in the Donegal bog, about corruption in local authorities around the country, led by a former county manager in Donegal, about the role of MI5 in promoting compromising paedophilia in Northern Ireland; all to little avail. There’s a vague glamour to whistleblowing. It has been the centrepiece of works of art from Henrik Ibsen‘s ‘An Enemy of The People’, (1882) and Nobelist Halder Laxness’s ‘Independent People’, (1934) to Elia Kazan’s ‘On The Waterfront’, (1952) and Steven Soderbergh’s ‘Erin Brockovich’ (2000). But the glamour mostly attaches to journalists. Unless they’re from Village. Englishman WT Stead is considered to be the founding father of investigative journalism and the inventor of the sensationalism that gave rise to tabloid newspapers. His famous investigation into the trafficking of young girls in 1885 earned him a jail sentence but precipitated passage of a law raising the age of consent, and indeed Shaw’s play ‘Pygmalion’. Journalistic whistleblowing became a phemonenon with Emile Zola who was convicted by a French court for criminal libel for his campaign to establish the innocence of Jewish army officer Albert Dreyfuss of passing secrets to Germany in the late 1890s. Nellie Bly, a pseudonym used by journalist Elizabeth Cochrane Seaman around the same time, famously feigned insanity as part of her 1887 undercover exposé of the Women’s Lunatic Asylum in New York City. But modern investigative journalism took forensic shape in 1960s Britain. From Ludovic Kennedy’s 1960s re-examining of cases such as the murder convictions of Timothy Evans and Derek Bentley to Harold Evans’ 1970s exposé of thalidomide in the Sunday Times to Pilger and Hitchens and the crusades of Paul Foot on James Hanratty hanged in 1962 for the A6 murder, journalists in Britain have in a de facto sense acted as whistleblowers even if there is scant legislative protection for them. They are never legislatively classified as whistleblowers. These journalists attained a measure of respect, especially among the cognoscenti. We should nevertheless be clear that with the demise of the likes of Don McCullin and Peter Hitchens and even ‘Prime Time Investigates’ and the rise of the plutocratic oligarchs in the press, that intrepid investigation is under threat and in decline. The underlying characters who break from their peers to tell tales on their institutions, that’s a different matter. Most of them finish up destroyed. An excellent recent book by NUIG academic Kate Kenny, ‘Whistleblowing: Towards a New Theory’ (2019, Harvard University Press), makes the case that journalists make life more difficult for whistleblowers by spotlighting them and making them targets for scrutiny “We see this clearly in the recent media obsession with well-known whistleblowers such as Edward Snowden, Julian Assange and Chelsea Manning in which more attention is given to the individuals, their private selves and their personalities than to the information they report“. There is much literature on the dynamic and motivation of whistleblowing. Elements of vanity are often to the fore, proponents are rarely comfortable team players. Antagonists can often have a field day at their expense. Indeed though you’ll mostly recognise one when you see one in fact there are divergent views as to who should be classified as a whistleblower in the first place. Certainly an employee but what about a consultant or an associate or an independent journalist? Does criminal behaviour lose you the status? And what sectors? Certainly blowing the whistle on crime, terrorism, national security, and corruption are protected in most jurisdictions. Beyond that there is a definite ambivalence, reflected in official inertia. This is manifest in the fact that legislation is not in general effective and the whistleblower may expect to be subjected to what the literature deems reprisals or retaliation. This typically means internal disciplinary sanctions on a spectrum from an informal warning to dismissal on fabricated grounds. Bullying, harrassment, termination of career prospects or employment and threats are common but some have paid even higher prices. A notable such casualty was journalist, Daphne Anne Caruana Galizia, who led the Panama Papers investigation into corruption, targeting widely from the Prime Minister to the Mafia, in Malta. She was killed last year by a car bomb. Her experience was the worst but nearly all whistleblowers suffer for their stance. This is shown by a review of the best known. Before his recent eviction and jailing for skipping bail, Julian Assange was forced to seek refuge in London’s Ecuadorian embassy after facing an investigation by Swedish prosecutors into rape offences centring on his refusal to use a condom or have a STD test with two woman he stayed with while he was giving talks in Stockholm in 2010. Meanwhile, the US is applying for his extradition. Assange is not charged with anything related to Russia or Russiagate or even with breaking a law. Assange is charged with being in a conspiracy with Chelsea Manning “to commit computer intrusion” over the Collateral Murder